Photographing and filming classical architecture is a physical challenge. It also always involves the process of envisioning the weather that might be encountered, preparing for it, and then working with what actually comes.


When I flew to Greece to photograph the Athenian Acropolis for the Newsweek book, The Parthenon, I chose to go in April  -  a time of year when the quickly changing weather brings lots of clouds and moods. I photographed the Acropolis over a three-day time period, using 5X7 and 4X5 Deardorf set ups, my Hasselblad, and my 35mm Nikon. I was not disappointed with what happened. A synchronicity of events led to my being in the right place at the right time so that I encountered amazing lighting each day, resulting in spectacular photographs. One of these images became a National Geographic puzzle. A memorable feature of this shoot was my 6-month-old son Michael, who rode on my back, along with all my equipment, throughout the entire assignment.


I hope you enjoy viewing a sample of that expedition. If you’d like to purchase a copy of any of these copyrighted photographs, or any others on this site, contact me.

PHOTOGRAPHING CLASSICAL ARCHITECTURE

The Parthenon is everywhere; it beckons, against a cobalt sky, down most of Athens’ long and crowded boulevards. A precipitate and distillation of western culture, it encapsulates the whole dazzling creative impact that Periclean Athens still projects across the centuries.  Peter Green, from the Newsweek book, The Parthenon.  Illustrated by John Veltri

ATHENIAN ACROPOLIS

CLASSICAL ARCHITECTURE photography

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